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<br>Deadline is reporting that viewership for the awards ceremony was down by 17 percent in the coveted 18-49 demographic, and 18 percent overall when compared to last year. That's the lowest they've been since 2009 - a huge reason for concern considering that last year's telecast was the most-watched since 2000. Whatever the reason may be, the Oscars couldn't keep the interest of viewers this time aro<br><br> <br>It remains to be seen if this is something that will plague the Oscars for the next handful of years or is merely a blip on the radar. Looking ahead to 2015's award season (I know, bear with me...), there are offerings from filmmakers including Steven Spielberg, Quentin Tarantino, and David O. Russell among others that could prove to be more lucrative endeavors than the crop we just got. The Academy will spend the next 12 months figuring out how to retool their telecast, but the odds of a ratings boost are in their fa<br><br> <br>Fargo season 2 was great. Patrick Wilson was great in it. There's not really much more that needs to be said here, but in an age where every hero seems to have a dark side, Wilson's performance as a young Lou Solverson demonstrated there is still plenty of room for good-natured, virtuous, white-hatted her<br><br> <br>To be honest, the HFPA put up a good list. It's a little quirky with Mozart in the Jungle , but that just makes it feel more balanced. There's not a whole lot that could have been changed, but given the Globes' budding reputation for recognizing smaller shows with a unique voice of their own, it would have been nice to see either Hulu's Difficult People or Netflix's BoJack Horseman , both of which succeed in skewering celebrity and Hollywood culture in different ways. Then again, maybe that's why they're not on here. And now, come to think of it, let's nominate Difficult People stars Billy Eichner and Julie Klausner to be the hosts of the 74th Golden Globes in 2<br><br> <br>In 2014, however, the Academy seemed to slip back to their more obscure choices. Clint Eastwood's American Sniper was the only Best Picture nominee to gross over $100 million by the night of the ceremony and had made more than its seven competitors combined. The average domestic total for a nominee this year was just $77.6 million: an average which is respectable, but a far cry from the averages of the past two years, where multiple blockbusters contended for Best Pict<br><br> <br>Yes, there is sex and nudity in the film,  [https://Moviefestivalhub.com/ Https://moviefestivalhub.com/] but it's used to hammer home the wrongness of what's going on. The way it's used makes the audience extremely uncomfortable in a good way. Of course we all know that what is happening in the film is wrong on an intellectual level, but this film makes you see and feel the wrongness of it. You can't help but be affected by<br><br> <br>Amir Bar-Lev, the director of the film, spent an entire year with the Olmsteads shooting this documentary. He became aware of them by reading a story about Marla and her paintings in the New York Times. His initial approach to the documentary was to take a look at the world of modern art, but as things progressed he saw that the real story was what was going on with Marla and her fam<br><br> <br>Rami Malek was fantastic in Mr. Robot and there's reason to guess he might take home the award (look below), but Hamm made Don Draper such a rich and interesting character for seven seasons, it's hard to think that he hasn't earned another nod for his contribution to one of the best television series in hist<br><br> <br>Now to some of you this may sound interesting, and I suppose it could have been, but the overall effect of this movie with it's bland, bright and washed out colors on the screen and the details of the relationships that we are subjected to is quite depressing (yes, I get it, that's the point) and to be honest left me feeling more than a bit dirty to have been witness to all this. Not "porn" dirty, but "slimey" dirty, like going through someones dirty laun<br><br> <br>Jakes Gyllenhaal said it best this evening, pointing out that it would be the shorts that make or break our Oscar Pools. I am usually able to get half of them right by watching them and picking favorites but this year I got them all wrong. Amongst the big categories there were few surprises though, outside of Tom Hooper ( The King's Speech ) beating out David Fincher ( The Social Network ) for achievement in directing. But hey, Chris Nolan wasn't even nominated for Inception so without further <br><br> <br>Some interesting notes: True Grit didn't get a single award despite ten (10!) nominations; Christopher Nolan didn't receive any awards despite Inception being entirely original and praised for its design, winning 4 other awards no less; Anne Hathaway, poking fun at the Academy's attempt at appealing to a younger demographic is the presentation's youngest host ever at 28 and last but not least, 8-time Oscars host Billy Crystal made a friendly and fun appearance making some wish he was back to host ag<br><br> <br>From Melissa Leo's F-bomb, Kirk Douglas' never-ending jokes and womanizing to Hathaway's fun anti-Wolverine solo and Christian Bale actually shedding a tear, it was another long night at the Oscars defined by its little moments scattered through<br>
<br>It wasn't the F-word or the humor that struck me as odd, heck, I thought Superbad was really funny - it was the incongruity of the scenery and music against what the actors were saying and doing. On a side note, if profanity in films bothers you, this is SO not the movie for yo<br><br> <br>Apparently she is a bit folllicaly overdeveloped and is being teased by the girls at school. Later, when her mother (played by Maria Bello ) discovers that Jasira shaved and that HER boyfriend helped, she becomes outraged and sends Jasira off to live with her father in Texas. Her mother stupidly blames her for being overdeveloped and having breasts at 13 instead of placing the blame on her creepy boyfri<br><br> <br>Director Todd Haynes' period drama about the love affair between two women has earned more than its fair share of critical acclaim for everything from its leads' performances to its art direction, yet Carol remains a dark horse candidate when it comes to the overall awards season race. The movie has been recognized by the Toronto and Austin film critic circles and racked up multiple nominations at events like the Independent Spirit Awards, so it's not outside the realm of possibility that it could sneak it and take the Best Drama prize at the Golden Glo<br><br> <br>Back in November I posted the trailer to In Bruges and commented that it looked like a movie that would not be a hit with mainstream audiences but those that like indie movies would probably love it. Well I just watched it and I'm more certain than ever that my first reaction will turn out to be accur<br><br><br><br>Hounddog is a drama [https://Moviefestivalhub.com/ film festival Games news|https://moviefestivalhub.com/] directed by Deborah Kampmeier, starring Dakota Fanning as a young girl named Lewellen who finds solace in Elvis Presley's music while growing up in the rural South. The film delves into themes of trauma, resilience, and the transformative power of music. David Morse and Robin Wright Penn play pivotal supporting roles, contributing to the film's exploration of complicated family dynamics and personal stren<br><br> <br>The film takes place just before the overthrow of Saddam Hussein when the U.S. first invaded Iraq, and I found it interesting that they wasted no time whatsoever telling us that her father (Peter) is Catho<br><br> <br>One thing leads to another and Mr. Vuoso discovers that she found his magazines. While at first he seems to try to get through to her by asking why she was looking at them and that she shouldn't be, the expression on his face soon changes as he looks at her closely for the first t<br><br> <br>So here's the thing: This movie has a ton of what I think is really good stuff as far as script, acting, humor and drama. So why the relatively low rating? As much as I enjoyed the individual moments in the movie, for me it just didn't gel as a whole. I really wish that the film had picked a course and stayed on it. Personally, when a movie starts out funny and then suddenly changes course into tragedy I just feel like I'm being manipulated, and it's jarr<br><br> <br>At the time of the documentary was shot, the Olmsteads had sold more than $300,000 worth of Marla's paintings. Those in the art world compared her work to Kandinsky, Pollock and even Picasso. Due to her extremely young age, her work captured the imagination of the world. Art openings, limousines, and television appearances became part of the family's routine. Then, thanks to a 60 Minutes segment which aired and cast doubt on the authenticity of Marla's work, and the Olmsteads' world changed in an inst<br><br> <br>Martin Scorsese's Hugo led the way with eleven nominations, stacking up many a nod in the technical categories, while Michel Hazanavicius' The Artist was close behind with ten total. Academy members clearly love a good homage to the magic of old-fashioned cinema - be it a Hollywood flick set in Paris or a French production set in Hollywood. Moving o<br><br> <br>The director interjects himself into his own documentary to express his suddenly conflicted feelings on the entire project due to the extreme turn of events. I think this really adds to the sense of neutrality of the film as you see that this was very unexpected. He's known the family for quite a while now, and although they seem very honest and forthright he is plagued with doubts... in particular because throughout the months he's spent with them he has not managed to capture her creating one of her paintings on f<br><br> <br>Amir Bar-Lev, the director of the film, spent an entire year with the Olmsteads shooting this documentary. He became aware of them by reading a story about Marla and her paintings in the New York Times. His initial approach to the documentary was to take a look at the world of modern art, but as things progressed he saw that the real story was what was going on with Marla and her fam<br><br> <br>The viewer is left to draw their own conclusion and although I liked that the film did that, another part of me would have liked a definitive conclusion. Having said that, it's probably better that it was left open-ended because too many documentaries have an obvious agenda meant to convince the viewer of some particular point of v<br>

Dernière version du 31 décembre 2025 à 11:23


It wasn't the F-word or the humor that struck me as odd, heck, I thought Superbad was really funny - it was the incongruity of the scenery and music against what the actors were saying and doing. On a side note, if profanity in films bothers you, this is SO not the movie for yo


Apparently she is a bit folllicaly overdeveloped and is being teased by the girls at school. Later, when her mother (played by Maria Bello ) discovers that Jasira shaved and that HER boyfriend helped, she becomes outraged and sends Jasira off to live with her father in Texas. Her mother stupidly blames her for being overdeveloped and having breasts at 13 instead of placing the blame on her creepy boyfri


Director Todd Haynes' period drama about the love affair between two women has earned more than its fair share of critical acclaim for everything from its leads' performances to its art direction, yet Carol remains a dark horse candidate when it comes to the overall awards season race. The movie has been recognized by the Toronto and Austin film critic circles and racked up multiple nominations at events like the Independent Spirit Awards, so it's not outside the realm of possibility that it could sneak it and take the Best Drama prize at the Golden Glo


Back in November I posted the trailer to In Bruges and commented that it looked like a movie that would not be a hit with mainstream audiences but those that like indie movies would probably love it. Well I just watched it and I'm more certain than ever that my first reaction will turn out to be accur



Hounddog is a drama film festival Games news|https://moviefestivalhub.com/ directed by Deborah Kampmeier, starring Dakota Fanning as a young girl named Lewellen who finds solace in Elvis Presley's music while growing up in the rural South. The film delves into themes of trauma, resilience, and the transformative power of music. David Morse and Robin Wright Penn play pivotal supporting roles, contributing to the film's exploration of complicated family dynamics and personal stren


The film takes place just before the overthrow of Saddam Hussein when the U.S. first invaded Iraq, and I found it interesting that they wasted no time whatsoever telling us that her father (Peter) is Catho


One thing leads to another and Mr. Vuoso discovers that she found his magazines. While at first he seems to try to get through to her by asking why she was looking at them and that she shouldn't be, the expression on his face soon changes as he looks at her closely for the first t


So here's the thing: This movie has a ton of what I think is really good stuff as far as script, acting, humor and drama. So why the relatively low rating? As much as I enjoyed the individual moments in the movie, for me it just didn't gel as a whole. I really wish that the film had picked a course and stayed on it. Personally, when a movie starts out funny and then suddenly changes course into tragedy I just feel like I'm being manipulated, and it's jarr


At the time of the documentary was shot, the Olmsteads had sold more than $300,000 worth of Marla's paintings. Those in the art world compared her work to Kandinsky, Pollock and even Picasso. Due to her extremely young age, her work captured the imagination of the world. Art openings, limousines, and television appearances became part of the family's routine. Then, thanks to a 60 Minutes segment which aired and cast doubt on the authenticity of Marla's work, and the Olmsteads' world changed in an inst


Martin Scorsese's Hugo led the way with eleven nominations, stacking up many a nod in the technical categories, while Michel Hazanavicius' The Artist was close behind with ten total. Academy members clearly love a good homage to the magic of old-fashioned cinema - be it a Hollywood flick set in Paris or a French production set in Hollywood. Moving o


The director interjects himself into his own documentary to express his suddenly conflicted feelings on the entire project due to the extreme turn of events. I think this really adds to the sense of neutrality of the film as you see that this was very unexpected. He's known the family for quite a while now, and although they seem very honest and forthright he is plagued with doubts... in particular because throughout the months he's spent with them he has not managed to capture her creating one of her paintings on f


Amir Bar-Lev, the director of the film, spent an entire year with the Olmsteads shooting this documentary. He became aware of them by reading a story about Marla and her paintings in the New York Times. His initial approach to the documentary was to take a look at the world of modern art, but as things progressed he saw that the real story was what was going on with Marla and her fam


The viewer is left to draw their own conclusion and although I liked that the film did that, another part of me would have liked a definitive conclusion. Having said that, it's probably better that it was left open-ended because too many documentaries have an obvious agenda meant to convince the viewer of some particular point of v